Notes on "Digger Man" and the Ringerra Mosaic in progress
Ever since I began work on Endgame (and, later, the Woman at War / Triestarra Nebula universe) I realized I wanted to make my science fiction stories as realistic as possible. Sure, there’s some willing suspension of disbelief involved—mostly around Galactic Velocity travel and how quickly people could get around planetary systems. (It’s a hell-of-a-lot easier managing travel times of 31 hours versus 31 years.) To that end, in real life, it bothered me whenever I’d see depict
Snippet from 'Destruction'
Running down the inside of Hulk's arm was a large tattoo. It was a brilliant pink flower with pointed leaves and a vine-like stem curling...
Preview from 'Destruction'
At the obstacle course, three dozen mud-brown soldiers waited in lines for their turn on the ten-leg [30-foot] ladder-climbing wall. Worn...
Behind the War
The survival story of "Endgame," and all of the Woman At War series, is set to the backdrop of the Great War between the diverse Trieste...
