Notes on "Digger Man" and the Ringerra Mosaic in progress
Ever since I began work on Endgame (and, later, the Woman at War / Triestarra Nebula universe) I realized I wanted to make my science fiction stories as realistic as possible. Sure, there’s some willing suspension of disbelief involved—mostly around Galactic Velocity travel and how quickly people could get around planetary systems. (It’s a hell-of-a-lot easier managing travel times of 31 hours versus 31 years.) To that end, in real life, it bothered me whenever I’d see depict
Ghosts of Philadelphia
On a recent trip to Philadelphia, I found a number of gems. The city has a diverse vibrancy that’s personified by the madness of lunch...
Behind the War
The survival story of "Endgame," and all of the Woman At War series, is set to the backdrop of the Great War between the diverse Trieste...
Running Sands
Other than massive sharks and arachnids of frightening size or disposition, few things scare me as much as the nebulous fear that I won't...
